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8 January 1836 – 25 June 1912. Most renowned painters.

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HOBBEMA, Meyndert
The Alley at Middelharnis g

ID: 07485

HOBBEMA, Meyndert The Alley at Middelharnis g
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HOBBEMA, Meyndert The Alley at Middelharnis g


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HOBBEMA, Meyndert

Dutch Baroque Era Painter, 1638-1709  Related Paintings of HOBBEMA, Meyndert :. | The Water Mill sf | A Wooded Landscape f | The avenue in Middelharnis | Landscape with a Hut f | The Watermill sfr |
Related Artists:
POLACK, Jan
Polish Northern Renaissance Painter, died 1519
William Wendt
1865-1946 Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature. William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density. Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter. Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.
Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.






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